Struts and Frets astutely pull together their own special take on Sigurd’s portion of the saga, where pop-culture references abound and a laugh is always around the corner. – Winnipeg Free Press
Sigurd the Dragonslayer was an adaptation of part of the Norse Völsungasaga, the saga of three generations of heroes in the clan Völsung. This is the story that inspired Wagner’s Ring Cycle operas, large parts of the Lord of the Rings mythos, and the Looney Tunes sketch What’s Opera, Doc?.
In the section, our hero Sigurd is trained by his foster father Regin to slay Regin’s brother Fafnir, who has gone mad with greed and turned into a terrible dragon. After Sigurd kills Fafnir, Regin betrays him, and Sigurd kills him too. Now completely alone, he sets off to seek his place in the world. He rescues Brynhild the Valkyrie, and finds first hospitality, then betrayal in the royal hall of the Niflung clan.
For this production, we were joined by our very clever and talented friends Michael Ostry and Hailley Rhoda. Stylistically, we continued to mix and match various design and writing elements: full-colour, translucent plastic shadow puppets; story theatre; our house blend of corny jokes and pathos. Script-wise, we really wanted to focus on the relationship between Sigurd and Brynhild, as well as Sigurd’s personal growth over the course of the story, building on our success with writing the character of Gilgamesh the year before.
For our efforts, we were rewarded with the Best of Fest honour for the third time in four years, and Ariel and Jessy jointly won the Harry S. Rintoul Memorial Award. This is an award given out every year by the Winnipeg Fringe Festival for the best new original script by a Manitoba author. Huzzah!
Pictures below the fold.